The Disappearance of Canada: Margaret Atwood’s Transnational Turn and Ustopianism

Abstract

This essay examines how Margaret Atwood’s recent dystopias Oryx and Crake and The Year of the Flood reflect a transnational turn in her fiction, which is a significant development both in light of her early work and her public image as a Canadian cultural nationalist. --- Original in English

Keywords

• nacionalismo cultural
• continentalismo
• distopia
• a virada transnacional