Identidades andinas en juego en el teatro boliviano actual

Abstract

COMPA-Trono is one of the most emblematic cultural initiatives in Bolivia, both as a theater company, cultural center and pedagogical project, but also as an actor mobilized in the name of «art for social transformation». Between artistic, educational and political challenges, its members contribute to rescue and reinvent various local and regional «identity figures». In a sociological perspective, let us see how these actors, through the action of the group, appropriate and reconstruct them in different social arenas both local and global.

Keywords

• COMPA-Trono
• popular theater
• identities
• Andes
• El Alto