“The adventures of Khoja Nasreddin in Tatarstan”: history and modernity on theatre stage

Abstract

The folkloric character Khoja Nasreddin is widely known in different countries. A cheerful and resourceful hero for many centuries has become an expression of feelings and sentiments of the eastern peoples, their wit, freedom and rebellion. Currently, numerous examples of not only folk, but also professional art are dedicated to him. The image of Khoja is presented in them in different aspects and sometimes transforms under the influence of the creative individuality of its authors. This article is devoted to various interpretations of the classical history of Khoja Nasreddin on the stage. The article examines dramatic performances of G. Kamal Theatre, a puppet show of the National Theater, which became a continuation of the sketch created at the theatre laboratory in Sviyazhsk, a musical production of the Opera Studio in cooperation with the Tatarica Orchestra of the Kazan Conservatory.

Keywords

• khoja nasreddin
• naki isanbet
• tatar theatre
• comedy
• folklore
• national art