THEORETICAL LANDMARKS FOR THE DEVELOPMENT OF THE STUDIO OF A CORRECT AND EFFICIENT RECEPTION OF THE TEXTS FROM THE MURAL PAINTINGS

Abstract

The author points out landmarks for a correct and efficient reception of the texts from the mural paintings, defining and re-defining, structuring and commenting on the defining terms of the two notions: the text and the artistic-plastic reception. The emphasis is on the specifi city of the reception of the artistic-plastic image, which is epistemic and praxiologically different from the usual reception. At the same time, the perception of the visual space is highlighted, in which the images and the accompanying text are integrated. It addresses the relationship between the two notions of text and image in visual art works, their importance being enhanced by the status of the image, as a product of an interaction between sender and receiver and, at the same time, as a place of transition to the mentality that generated a. Being about representations included in an iconographic program, the defining features of the icon are highlighted - as an object of representation of a text and as an object-means of transmitting /communicating a written message/implicit to the genre.

Keywords

• image
• text
• inscription
• mural
• symbol
• sign
• visual perception