طبقه بندی انواع ادبي از منظر نظریه پردازان مکتب رمانتيسم

Abstract

Although Romanticism’s philosophical view of Literary Genres has lead to some categorizations of works which overlap with the previous literary and non-philosophical views, this theory tries to focus on the creation of these categorizations as a natural result of history and the evolution of human's soul, not as the production of the analytic interpretations of literary critics who, according to "Form-based" or "Content-based" criterion, isolate the works in order to put them in their own proper category. Although all of the followers of this theory believe that the existence of "Difference" in literary works and their place in different genres is the result of the tension in humans internal powers, every one of these followers looks at these powers, based on his own interpretation which results in different categorizations. In this article, by moving away from the literary categorization of works to the philosophical "Typology" of the Romantics, we would like to justify this philosophical view via pointing to the tendency of the creators of the contemporary works for genre mixture.

Keywords

• انواع ادبي، رمانتيسم، عيني، ذهني، عيني-ذهني