Cinco mulheres: vozes em ricochete

Abstract

Marcelino Freire, whose character moves between the countryside and the city, has been writing as one who hears the others, exercising alterity. Taking as a start- ing point the texts’ enunciation and inscenation dynamics, this work aims to fol- low the path of five poor women, “Muribeca”, “Comadre”, “Darluz”, “Da Paz” and “Totonha”, pointing to the tension exposed between the social voices pre- sented and the author ́s voice. The latter comes as the result of strategies used in the composing of an explicitly interlocutory writing, which includes the reader.

Keywords

• enunciation
• encenation
• poverty
• alterity