LANGUAGE AND CONTENT FEATURES OF NURMAHAMMAD ANDALIB'S GHAZALS

Abstract

Nurmuhamed Anedib is a cultural scholar of the time, who knows Arabic and Persian very well and shows it in his poems. In terms of picture, ghazs from 5 to 11 inches have helped to create a harmony with the full and rich rhymes. The poet's ghazals, who successfully used five different eros, have a lot of Turkmen words, but more are given in Arabic and Persian. A poet who has mastered romance relationships, especially describes his lover with very specific expressions, usually has a kind of beloved type in his eyes. The gazelle, which deals with the nature and the arrival of the spring, is an exception, except for a ghazal that deals with the other. There is also information that Andalib, who was well versed in the literature and folklore of the peoples of the East, wrote works in these languages and translated from them. He created immortal works of art with high artistic and poetic value in the lyrical genre, which occupies an important place in his work, such as mukhammas, mustazad, murabbe, musaddas, varsagi, qoshma, ghazal. In these examples of poetry, Andalib expressed his fair attitude to the events of life, opposing the injustice and arbitrariness of his time, the moral slavery of the ruling feudal-spiritual morality, ignorance, social rules, humiliation of the human person. The poet is free in other forms of poetry that allow for the diversity and multiplicity of rhyme. As a result, Andalib is regarded as a talented ghazal poet who reflects the features of the ghazal in terms of both picture and content.

Keywords

• turkmen literature
• anedlib
• ghazal
• aruz mold
• rhymed
• rage