Accelerando: BJMD (Feb 2019)
MOVEMENT INTERPRETATION OF MUSIC IN EURHYTHMICS: APPROACH TO MOVEMENT INTERPRETATION IN MUSIC EDUCATION IN POLAND
Abstract
In this article the main topic is related to the movement interpretation of music which is founded on the artistic version of the Dalcroze method. The essence of movement interpretation is a synthesis of music and movement designed in space. This perfect form of music materializing in the movement of the human body is a clear and interesting offer of becoming acquainted with music and refers to the contemporary indicators of contemplation of art. The discussed issues will be presented in the historical context, particularly emphasizing the formation and the development of Eurhythmics during Dalcroze's stay in Hellerau and the spread of it throughout the world, as well as the consecutive approach to movement interpretation with the emphasis on Polish approach to movement interpretation and its application in music education system. In addition, also in the context of personal experiences of the author, connected with creating of movement interpretations presented by children and adolescences on the stage. The author analyzes the process of creating movement interpretations of music, shows its subsequent stages, leading to the final - visualization of music on the stage in movement and space. Therefore, the author emphasizes the role of movement interpretation in popularizing music, indicating that the movement interpretations of music offer a perfect way of perception of a music work, which leads both the performers and the recipients to the world of music.
