We Continue Each Other

Abstract

Three female voices with different cultural backgrounds and practices explore the concept and possibilities of the we-narrative. Starting from a position of critical reflection, we dive into the question of how to speak as a female WE. WE is used to differentiate the particular collective dynamic that operates throughout this text from a more general use of the word ‘we’. Our framework is to work with the personal and vulnerable, but at the same time remain open to a dialogue that invites the other, through the concept of empathy. Our overarching aim is to look at what it means when we speak together collectively: whether it brings strength or dilution, and how speaking poly-vocally from a position of lived first person collective experience impacts current ideas around authorship. Is it possible to speak as a WE and write subjectively in a way that does not become a generalisation or a compromise? Guided by Virginia Woolf’s A Room of One’s Own, our text uses the format of autotheoretical writing, drawing on our creative–critical writing practices in the context of visual art. We seek to encompass our female ancestors in visual art. The text generates a dialogue that creates room for the articulation of one’s own voice and hand, whilst intending to leave space or gaps for the other to insert themselves. Appearing in seemingly disparate fragments, the text weaves together to form a tapestry, sometimes performative, sometimes narrative, incorporating both visual and language-based elements.

Keywords

• autotheory
• memory
• visual art
• art practice
• contemporary art
• social history