Leaving Javanese Shadow Theatre (Wayang Kulit) Religiously Unlabelled

Abstract

Wayang Kulit, the shadow theatre tradition on the island of Java, combines ancient Javanese and Indian myths in a Muslim context and therefore poses as a wonderful example of how religious traditions intertwine with works of art. This article explores the religious appropriation and acculturation at work in the history of Javanese shadow theatre. It also grants a behind-the-scenes look at the curatorial challenges involved in preparing a Wayang Kulit exhibition at the Museum Rietberg in Zurich, in particular how to convey the complex intermingling of cultures and religions so that audiences can understand it. Finally, we call into question some narratives and concepts traditionally used in Western museums to tell the story of Southeast Asian art.

Keywords

• Indonesia
• Java
• museum collections
• curating religions
• performing arts
• Hinduism