‘The Cultural Mediator between the North and the South, the East and the West’: The 1930 Official Exhibition of Austrian Art in Warsaw

Abstract

This article explores the official exhibition of Austrian art held in May 1930 at The Society for the Encouragement of the Fine Arts in Warsaw. Showcasing 474 artworks by 100 artists, the exhibition spanned the years 1918–1930, a period marked by Austria’s efforts to overcome post-war political isolation. The article examines the exhibition’s rhetoric and its critical reception in Warsaw within the broader context of Polish–Austrian diplomatic relations, influenced by Austria’s challenging political and economic situation and the priorities of the Second Polish Republic. The introductory essay in the exhibition catalogue, authored by Hans Tietze, emphasized Vienna’s seminal role as a cultural center at the crossroads of European artistic trends. This approach aligned with the cultural diplomacy of Johannes Schober’s government, which aimed to underscore a rhetoric of openness to the cultures of other nations, particularly the successors of the Habsburg Empire. This contrasted with the later identity policy of the Bundesstaat Österreich, which elevated Tyrol as emblematic of the core German–Austrian identity constructed in the new state. The analysis reveals that the exhibition represented the peak of Polish–Austrian cultural relations during the interwar years, suggesting the potential for broader engagement. However, this potential was short-lived, ultimately thwarted by the Anschluss of Austria to Germany in 1938.

Keywords

• post-war Austria
• exhibition strategy
• traditionalism
• new classicism
• neorealism
• Hans Tietze