Mapa Teatro y la configuración de la ciudad neoliberal

Abstract

In this paper we follow the procedures that resulted in the installation-action-performance called Testido de las ruina from the Colombian group Mapa Teatro. Besides being a complex amount of previous actions, the show represents a case where reality becomes theater, reassuring the perception of a society dominated by media. Despites that, the show is a construction of a space of encounter between actors and non-actors with the purpose of defining the subjectivity of an era by means of retrieving memory(ies).

Keywords

• Mapa Teatro
• Colombian theatre
• video-performance