Traditions céramographiques et mobilités artisanales au « Lucanien récent »

Abstract

Focusing on some late Lucanian vases attributed to the Primato Painter, considered on their formal, iconographic and stylistic aspects, this paper aims to enlighten the apulianising style of this craft production considering the ratio between tradition, reception and artisanal mobility. The analysis of contemporary vases, especially apulian ones, attributed to the Lycurgus Painter and his circle, his main inspiration, contributes to highlight the specificities of his “language” as well as his network of contacts and influences that accompanied the emerging of a workshop culture.

Keywords

• South Italian vases
• later Lucanian
• Primato Painter
• Lycurgus Painter
• artisanal mobility
• apulianising style