What Makes Popular Christian Music “Popular”? A Comparison of Current US-American and German Christian Music Using the Examples of Lauren Daigle and Koenige & Priester

Abstract

By applying different (competing) understandings of the term “popular”, this article showcases the criteria by which Popular Christian Music (labelled Contemporary Christian Music by the US music industry) can be described as “popular”. It compares Anglo-American and German-language Christian songs by means of close readings of the German band Koenige & Priester (Kings & Priests) and US singer Lauren Daigle. It argues that Christian music uses strategies of popularization comparable to secular popular music. Unlike secular music, however, for Popular Christian Music the Christian message is a central genre marker, which leads me to suggest that its popularity (in the sense of reaching a large audience beyond religious/evangelical circles) essentially depends on the polysemic properties of its lyrics.

Keywords

• contemporary christian music (ccm)
• germany
• koenige & priester (band)
• lauren daigle (singer)
• lyrics
• music
• popular christian music (pcm)
• religion
• united states of america