Time Modeling: Salvatore Sciarrino, Windows and Beclouding

Abstract

In this article I intend to discuss one of the figures created by the Italian composer Salvatore Sciarrino: the windowed form. After the composer's explanation of this figure, I argue that windows in composition can open inwards and outwards the musical discourse. On one side, they point to the composition's inner ambiences and constitute an internal remission. On the other, they instigate the audience to comprehend the external reference, thereby constructing intertextuality. After the outward window form, I will consider some techniques of distortion, particularly one that I call beclouding. To conclude, I will comment the question of memory and of compostition as time modeling.

Keywords

• Salvatore Sciarrino. Forma em Janelas. Composição