Response to David Temperley's Commentary

Abstract

The author responds to points raised in David Temperley’s commentary, which appeared in Vol. 1, No. 2 of Empirical Musicology Review. The response includes a discussion of strengths and limitations of atemporal models of musical perception, with particular attention to presentations such as those of Carol Krumhansl and Fred Lerdahl.

Keywords

• perception
• melody
• melodic
• harmony
• tonality
• form
• structure