Investigating the connection between sculpture productions and criminal behaviours of ghanaian sculpture users through the perspective of labelling theory

Abstract

Abstract This research explores the knotty relationship between sculpture creations and crime, focusing on the perceptions of Ghanaian sculpture users through the lens of the labelling theory. The labelling theory, a sociological perspective, posits that individuals become deviant when labelled as such by society, influencing their self-identity and behaviour. In the context of Ghana, where sculpture is a significant cultural and artistic expression, this study investigates how sculptures are perceived about criminal activities and societal norms. The research employs a qualitative approach, combining interpretivist’s phenomenological research philosophy and descriptive research design with face-to-face interviews with sculpture users, artists, and community members, alongside direct observation to gather comprehensive data. The findings reveal that sculptures, often seen as cultural artifacts, can be misinterpreted or labelled as symbols of deviance due to societal prejudices and misconceptions. This mislabelling led to the stigmatization of both the art form and its creators, impacting their social standing and economic opportunities. In conclusion, the study calls for policy interventions and community engagement to promote a more inclusive and informed appreciation of sculpture as a vital component of Ghanaian heritage and identity.

Keywords

• Crime
• Ghanaian sculpture
• Labelling theory
• Societal prejudices
• Users