O surgimento do documentário sobre rock ou o rockumentary

Abstract

Through the analysis of some of the first documentary about rock andpop and youth culture, which arise as a consequence of direct cinema, we try to establishcertain assumptions that permeate the films that propose to treat the thematic, henceforthnamed Rockumentary: a kind of totem image that will define the independent living of thissubgenus film.

Keywords

• Direct cinema
• rockumentary
• auto-mise-en-scène
• 60’s.