Against Extinction

Abstract

An interview with Mumbai-based contemporary artist Sahej Rahal discusses the potential of artificial intelligence-driven simulations and images to engage issues of temporality. The interview considers the AI simulation Anhad (2023), in which a tripedal figure is both driven by noises in the gallery and creates a haunting song with each step. It examines the implications of the work’s juxtaposition of various modes of temporality within and beyond an Indian political landscape dominated by a Hindu nationalist, authoritarian regime. Moving to a suite of AI-generated still images called Black Origin (2022), the conversation assesses the challenge artificial intelligence makes to photography. It contextualizes those images as they were presented in an exhibition that both reflected on the seventy-fifth anniversary of India’s independence and speculated about the country’s future.

Keywords

• Artificial intelligence
• Futurism
• India
• Science fiction
• Political aesthetics