Reliquary-chapel of saint Demetrios at the Davitgareji Desert

Abstract

The paper addresses a recently discovered rock-hewn chapel in the Davitgareji Desert, which has preserved late twelfth-early thirteenth century wall paintings dominated by a cycle of St Demetrios. The cycle, which finds no parallel in Georgia, is remarkable in many regards and raises important questions as to the chronology and geographical spread of such cycles, the provenance of unknown iconographical redactions, the history of the relics of St Demetrios, the function of the chapel dedicated to the saint, and the interaction between Georgian and Byzantine artistic and cultural traditions, in general.

Keywords

• medieval georgian painting
• cultural interaction
• vita cycle of st demetrios
• holy relics of st demetrios