STRUCTURAL-SEMANTIC DISTINCTIVENESS OF THE JARGON, THAT CHARACTERIZES AN ACTOR AND HIS GAME

Abstract

The article discusses in detail the largest thematic group jargon of drama theatre “Features of the actor and his games” from the structural-semantic point of view. It indicates the specific characteristic of slang word-formation methods, the features of structural models of the slang phraseology of the theatrical environment and draws conclusions about the results of the analysis. The illustrative material that demonstrates the functioning of the units is from media and fiction texts.