Nietzschean Themes in Béla Tarr's The Turin Horse

Abstract

Béla Tarr's last feature film The Turin Horse (2011) begins with a prologue that narrates Friedrich Nietzsche's mental breakdown in Turin in 1889, which was allegedly prompted by his witnessing a cab driver brutally whipping his horse. Nietzsche's name is not mentioned again in the film, and the viewer is left wondering what connection, if any, exists between the Nietzsche story and the film's narrative. Scholars often refer to one or another aspect of Nietzsche's philosophy when analysing Tarr's film. Yet, to date, no comprehensive study has been devoted to exploring the connection between The Turin Horse and Nietzsche's philosophy. This article seeks to fill this gap in the literature. The first section examines the connection between the prologue and the film. In the second section, attention is given to the most evident connection between Tarr's film and Nietzsche's philosophy, namely the use of circularity and repetition in The Turin Horse and Nietzsche's idea of the eternal recurrence of the same. The third section interprets the neighbour's monologue in light of Nietzsche's death of God. Finally, the fourth section is devoted to nihilism.

Keywords

• Compassion
• eternal recurrence
• time
• death of God
• nihilism