Los pliegues de Moscú: la dilatación de la ciudad en El maestro y Margarita de Bulgákov

Abstract

When the devil arrives at Moscow after the First World War, the city expands in two levels, one realistic, with a satiric and critic description of the places, and other fantastic, where the history becomes more poetic. A third level contains a literary reflexion about the limit between reality and fiction, on a symbolic place where the characters of three levels meet each other.

Keywords

• Bulgákov
• Moscú
• Sátira
• Espacio urbano