Signifying the Self: Cultural Trauma and Mechanisms of Memorialization in Zora Neale Hurston’s Their Eyes Were Watching God

Abstract

Starting from Hirsch and Smith’s concept of a feminist counterhistory and referencing the theoretical framework of cultural trauma, this paper undertakes a (re)reading of Zora Neale Hurston’s Their Eyes Were Watching God as construction of gendered countermemory. Such an interpretation would enable a recognition of the political function of the novel as an identity matrix of African-American womanhood. Expanding upon the classical, post-Lacanian approach to trauma studies and its post-colonial reconfigurations, I use a poststructuralist framing of collective trauma, and the Saussurian concept of signification, to highlight the struggle for self-determination of an oppressed community as it is signified-upon by its oppressors through violently imposed discourse. I further question the complicity between conventional forms of narration and the hegemony of an external signifier, and I trace this patterned mechanism of aggression within the linguistic and diegetic fabric of the novel, in order to expose Hurston’s literary methodology of collective memorialization and the way it challenges canonical representations of trauma.

Keywords

• cultural memory
• trauma studies
• zora neale hurston
• countermemory
• collective trauma
• gendered violence