Sound-producing actions in guitar performance of groove-based microrhythm

Abstract

This paper reports on an experiment that investigated how guitarists signal the intended timing of a rhythmic event in a groove-based context via three different features related to sound-producing motions of impulsive chord strokes (striking velocity, movement duration and fretboard position). 21 expert electric guitarists were instructed to perform a simple rhythmic pattern in three different timing styles—"laidback," "on-the-beat," and "pushed"—in tandem with a metronome. Results revealed systematic differences across participants in the striking velocity and movement duration of chords in the different timing styles. In general, laid-back strokes were played with lower striking velocity and longer movement duration relative to on-the-beat and pushed strokes. No differences in the fretboard striking position were found (either closer to the "bridge" [bottom] or to the "neck" [head]). Correlations with previously-reported audio features of the guitar strokes were also investigated, where lower velocity and longer movement duration generally corresponded with longer acoustic attack duration (signal onset to offset).

Keywords

• rhythm
• groove
• movement
• microrhythm
• guitar performance
• action-sound