VARIATIONS ON A THEME OF J.S. BACH’S CHORAL FOR PIANO AS EXAMPLE OF EARLY INSTRUMENTAL CREATION BY S. PÎSLARI

Abstract

In the article we analyze the means of musical expression and the form of composition «Variations on J.S. Bach’s choral» for piano by Snejana Pîslari. The conclusion is made that the musical language and the specifics of composition and dramaturgy of this work are determined by its artistic idea related to realization of variational principle.

Keywords

• snejana pîslari
• variations
• choral
• piano