British Art Studies (Aug 2018)
Laboratories of Creativity: The Alma-Tademas' Studio-Houses and Beyond
- Elizabeth Prettejohn,
- Peter Trippi,
- Charlotte Gere,
- Stephanie Moser,
- Caroline Dakers,
- Donato Esposito,
- Carolyn Dixon,
- Shelley Hales,
- Marlies Stoter,
- Arnika Groenewald-Schmidt,
- Charles Martindale,
- Melissa Buron,
- Krystyna Matyjaszkiewicz,
- Madeline Boden,
- Stephen Calloway,
- Barbara Bryant,
- Kate Nichols,
- Melanie Polledri,
- Jason Edwards,
- Joanna Banham,
- Jan Dirk Baetens,
- Morna O'Neill,
- Caroline van Eck,
- MaryAnne Stevens,
- Daniel Robbins,
- Nicholas Tromans
Affiliations
- Elizabeth Prettejohn
- University of York
- Peter Trippi
- Independent scholar and editor of Fine Art Connoisseur magazine, New York
- Charlotte Gere
- Independent Historian
- Stephanie Moser
- University of Southampton
- Caroline Dakers
- Central Saint Martins College of Art and Design, University of Arts the Arts, London
- Donato Esposito
- Independent Art Historian
- Carolyn Dixon
- Independent Art Historian
- Shelley Hales
- University of Bristol
- Marlies Stoter
- Fries Museum, Leeuwarden
- Arnika Groenewald-Schmidt
- Österreichische Galerie Belvedere, Vienna
- Charles Martindale
- University of Bristol
- Melissa Buron
- Fine Arts Museums of San Francisco
- Krystyna Matyjaszkiewicz
- Independent Art Historian and Curator
- Madeline Boden
- University of York
- Stephen Calloway
- Art Historian and Exhibitions Curator
- Barbara Bryant
- Independent Art Historian and Consultant Curator
- Kate Nichols
- University of Birmingham
- Melanie Polledri
- University of York
- Jason Edwards
- University of York
- Joanna Banham
- Victorian Society Summer School
- Jan Dirk Baetens
- Radboud University Nijmegen
- Morna O'Neill
- Wake Forest University
- Caroline van Eck
- University of Cambridge
- MaryAnne Stevens
- Independent Art Historian and Curator
- Daniel Robbins
- Leighton House Museum
- Nicholas Tromans
- Christie's Education, London
- DOI
- https://doi.org/10.17658/issn.2058-5462/issue-09/conversation
- Journal volume & issue
-
no. 09
Abstract
This Conversation Piece highlights the range of new research discoveries that are being -- and are still to be -- made about artists’ studio homes. This conversation was first aired in a workshop at the Paul Mellon Centre in October 2017 when a group of invited curators, scholars, and students shared their research about the Alma-Tadema studio-houses, exploring how they were designed, used and re-used, unearthing many tantalising links to other studio-houses created or inhabited by artists of the previous, contemporary, and next generations. This Conversation Piece aims to recapture the sense of discovery that made that workshop so exciting, and also to make the speakers’ contributions available to wider audiences. It is coordinated by Elizabeth Prettejohn and Peter Trippi, who have published an extended introduction to the topic in this issue.
Keywords
- artists' houses
- watts gallery
- Single-Artist Museum
- Leighton House Museum
- Nikolai Astrup
- Antoine Wiertz
- William Orpen
- Henri De Braekeleer
- Dewey Bates
- JMW Turner
- William Goscombe John
- Briton Riviere
- George Frederic Watts
- Dante Gabriel Rossetti
- Frederic Leighton
- James Tissot
- Lawrence Alma-Tadema
- Laura Alma-Tadema
