MUSIK BECANANG DALAM MALAM ADAT BEGURU PADA MASYARAKAT GAYO KECAMATAN BEBESEN, KABUPATEN ACEH TENGAH (Kajian terhadap bentuk penyajian dan bentuk musik)

Abstract

Becanang Traditional Music In The Evening Beguru in Gayo Society Bebesen Districts, District Central Aceh (Study of the form of presentation and form of music). Faculty Of Language and Art. Medan State University, 2015.This research is a study about the existence of the forms of presentation becanang music and music form becanang the Gayo people in the District of Central Aceh District Bebesen. The purpose of this study was to determine the presence of music in the district becanang Bebesen, form of presentation and form of music in the evening becanang beguru indigenous community in the district of Gayo Bebesen, District Central Aceh.This research is based on theoretical foundation to explain the meaning of existence, understanding forms of presentation, understanding forms of music, understanding night becanang indigenous communities beguru Gayo. The method in this study used a qualitative descriptive method. The sample in this study is penatuah customary understanding of the cultural traditions of indigenous communities which are also Gayo Gayo people of Central Aceh district. This data collection is done by the method of observation, interviews, laboratory work and literature study. This study was taken at the site of the District Bebesen, Central Aceh district and the research was conducted from June 2015 through to August 2015. The results showed that the presence in the district Bebesen becanang music still plays an important role in any wedding procession indigenous Gayo people which can be seen from its function, especially in the traditional evening event Beguru to be a communication tool and as a sign that Beguru event to begin. Form of presentation of music becanang played with several musical instruments tradition and consists of Gegedem, cymbals, Memong and gong, music becanang has a very important role in every stage of the traditional events marriage Gayo society, especially on the eve of indigenous Beguru as a communication tool caller local communities and as a sign that the traditional evening Beguru begin. Becanang musical form only play three different forms of rhythm alone, three rhythm is played in alternating turns, the most prominent bring rhythm motif is gegedem, on Memong instruments, cymbals and gongs just follow it, cymbals used as a regulator of tempo.

Keywords

• forms of presentation, the form of music, music becanang