Seeking the Political Function of Time-Image in New Turkish Cinema from a Deleuzian Perspective

Abstract

In the study, minor-being is discussed together with Deleuze's cinema approach and the concepts he produced in philosophy. In this context, the film A Tale of Three Sisters, which allows a wide contextual analysis and focuses on micropolitics, has been examined. In the film, it was seen that subjects such as being-woman, being-other, poverty, class difference and majority domination were included. The study aims to analyze Deleuze's thoughts on modern political cinema, which he associates with minor literature, and to show that there are minor components in Turkish cinema.

Keywords

• Deleuze
• Minor
• Becoming
• Line of Escape
• Time-Image
• Cinema