KIRGHIZ STEPPE IN THE TRAVEL NOTES AND ESSAYS OF M. M. PRISHVIN: IMAGOLOGY AND POETICS

Abstract

The article investigates the cross-cutting images and themes related to topography of the Kirghiz steppe (now North-Eastern Kazakhstan) in the works of M. M. Prishvin. Three early Prishvin’s texts — a Siberian diary “A Journey from Pavlodar to Karkaralinsk”, essays “Adam and Eve” and “A Black Arab” became an empirical base for it. The marginality of Prishvin’s texts in which the itinerant writer crosses the border between Europe and Asia as well as the border of consciousness, dwelling simultaneously in the space of its own and in the others’ space, permitted to reconstruct the landscape consciousness of the Kirghiz and Russian emigrees. The methodological feature of the study of these works along with the study of the poetics of the steppe images, the Kazakh, local legends and nomadic subjects, was a description of their imagological component induced by socio-historical, political and ethnic processes of the early twentieth century, the writer talks about in his books. So, the overall strategy of the narrative, moving from a documentary and essay principle to the poetic saturation by images is formed in his diaries. The essay “Adam and Eve” considers the issue of Russian immigrants, demonstrates the incompatibility between sedentary and nomadic life as two types of national behavior. A twofold image of the steppe — a foodless and saline steppe, and a rich and populated one — sets the parameters of social behavior of the rich and the poor in his essay “A Black Arab”. Basing on its materials the distinctive marks of the steppe as the Paradise are explored. Thus, the Asiatic world is seen by Prishvin through the principle of the landscape consciousness, which allowed reconstructing the features of the national image on the whole.

Keywords

• travel notes
• essay
• Mikhail Prishvin
• imagology
• steppe
• emigrees