If Castles and Statues Could Speak to Us.The Changing Freedom of Historical Interpretation in the Case of Slovakia

Abstract

Beside official “policy of remembrance”, run primarily by state representatives or public institutions, and embodied in national holidays, monuments or in history textbooks, democratic societies offer the possibility to create a “culture of remembrance” by local actors within the public sphere. These local actors consist of NGOs, civic initiatives, local governments or even of the business sphere, the latter including so-called heritage industry actors (like historical hotels or private museums). As a result, the interpretation of historical narratives tends to become multi-faceted, interactive and inclusive, but the risk has also emerged that historical narratives can be fluid and banal as well. The present essay attempts to highlight how these bottom-up historical interpretations launched by local actors coloured the culture of remembrance in Slovakia, in a country where national history had been a servant of nation-building struggles practically throughout the whole 20th century. As many initiatives for renovating fortresses, erecting statues, organising historical events or launching historical hotels elucidate it, non-state actors have become active and immanent change-makers of the policy of remembrance in Slovakia, having a sometimes intentional, sometimes unintentional effect on broadening the freedom of historical interpretation in the country.

Keywords

• heritage industry
• heritage interpretation
• culture of remembrance
• transnationalisation of memory
• Slovakia