Genre Metamorphoses in the Context of the Non-Locality Principle in Practice and Theory of Arts (a Case Study of Audiovisual Arts)

Abstract

The authors analyze the publications, which studied the changes in the morphological structures of audiovisual arts in modern times. The paper considers the modus operandi of the non-locality principle on the genre structures of audiovisual arts. The study explores the changes in the genre structures of audiovisual arts in the presentation of different communication platforms. The creation mechanisms of the modern genres-hybrids in audiovisual arts are described. The influence of the non-locality principle on the present situation of “unstable” determinacy is revealed. The aim of the article is to examine the changes in the genre structure of audiovisual arts under the influence of the non-locality principle. Research methodology. The study is based on the methods developed in the research works by I. Danilevskiy, I. Yevin, E. F. Smerichevskyi and others. The authors analyze the publications that study the communication and pragmatic characteristic features in the genre structure of audiovisual arts. The authors analyze the publications, which studied the changes in the morphological structures of audiovisual arts in modern times. Results. The paper considers the genesis of genre morphology of audiovisual arts at different stages of existence: from cinematic genres of live-action film and nonfiction film; television genres that originated from journalism and film journalism to the modern hybrid-genres of audiovisual origin. The paper considers the modus operandi of the non-locality principle on the genre structures of audiovisual arts. The study explores the changes in the genre structures of audiovisual arts in the presentation of different communication platforms. The authors provide evidence for the various genre classifications of Internet genres of audiovisual origin (“channel-centric classification”, the classification by expressive means, etc.). The creation mechanisms of the modern genres-hybrids in audiovisual arts are described. The influence of the non-locality principle on the present situation of “unstable” determinacy is revealed. Novelty. The paper is the first attempt for the reinterpretation of the existence of classical, non-classical and post-classic genre morphologies of audiovisual arts under the influence of the non-locality principle. The practical significance. The evidence from this study suggests a variety of means for further scientific reflection on the latest unstable genre arrangement. For the higher education in the special field 021 “Audiovisual art and production” it is crucially important to identify the methodological principles of the analysis of the sources and consequences of modern morphogenesis in the specified artistic realm. Such scientific tools will enhance the qualification of future specialists in audiovisual arts and production. The obtained results make it possible to identify the genre features of audiovisual works, their narrative and event opportunities.