Historijski pogledi (Jun 2024)

Fictional Realization of History as a Drama of Consciousness in the Novels Ugursuz and Karabeg by Nedžad Ibrišimović

  • Fahrija Nišić-Leskovci,
  • Anita Cucović,
  • Vedat Bajrami

DOI
https://doi.org/10.52259/historijskipogledi.2024.7.11.434
Journal volume & issue
Vol. VII, no. 11
pp. 434 – 453

Abstract

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New historicism establishes that the historiographical discourse is essentially narrative, that historiography necessarily behaves like a story. The problem boils down to the relationship between fiction and faction, to the narrative functioning of historiographical material. Novelistic prose can solve this relationship by being loyal or by undermining the idea of logical coherence in the narration, formal plot, time sequence and psychological explanation. Reality is, therefore, a semantic landfill that requires selection and formulation, be it through history or history, and in that process narrative/discursiveness, mimeticity, and rhetoric cannot be avoided. In the novels Ugursuz and Karabeg Ibrišimović sees the content of the past as a landfill of floating stories that write history as a story. At the same time, the story is freed from the unequivocal context of historiographical understanding and interpretation, and gives itself to endless interpretability, multiplied possibilities of interpretation offered by the literary context. With this, the meaning of the facts is checked by moving them from the historiographical context to the literary one, and also to the parabolic form, which is characterized by narrative disguise and complexity, paradoxicality, ambiguity and absurdity. In Ugursuz, the state of complete value emptiness opens the way for the heroes to transfer reality into the illusion of their own power, which is encouraging, and thus appropriated paves the way for an alienated self-image. With alienated emotional states, their sick needs and their sick actions are also alienated. In Karabeg, the angel inhabits the thoughts and hearts of the heroes and witnesses their danger in the conflicts of their own reason and emotions, thus revealing their slavish relationship towards higher goals or, on the other hand, towards the determination to follow their own destiny/nature.

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