Formal mechanisms and their work in the surrealist theatrical text the play (Nahda Theresias) as a model

Abstract

Formed the subject of formal mechanisms in the theatrical text surrealist important axis of this text, because of the similarity of their idea in their interest in form without content evidence found within this research, and this was an important motivation for the researcher to search for mechanisms formalism and reveal their work in a theatrical text surreal, with the help of a group of Russian formalists and the surrealist subtraction, and thus established the title of the research tagged with (mechanisms formalism and their work in the theatrical text surrealist play "Nahda Theresias" model) based on the systematic establishment in The first chapter by asking the research problem represented by the following question: Did the formal mechanisms work in the text? And determine the importance of the research is to try to research in the application of formal mechanisms on a surreal theatrical text, and the goal of the research, which lies in the detection of these mechanisms’ formalism and their work in a surreal theatrical text, and then the most prominent search terms, then came the second chapter (theoretical framework), which included two sections: The first topic // formal approach concepts and mechanisms. The second section // includes surrealism. And then what resulted from the theoretical framework through five indicators reached by the research. The third chapter came in its procedures including the research sample and the research methodology and tool. Finally, the fourth chapter with the results of the research and its conclusions.

Keywords

• mechanisms
• formalism
• surrealism
• rebellion
• obsessions