Caribbean Quilt (Feb 2022)

Invisible Ink

  • Abigail Ralph

DOI
https://doi.org/10.33137/cq.v6i2.36927
Journal volume & issue
Vol. 6, no. 2

Abstract

Read online

There is a gap in academic literature that highlights the perspectives of Canadian-Caribbean individuals that navigate both poverty and the stigma of limited access to resources necessary for livelihood in Canada. By employing the intersecting identities of Low-Income and (un)documentation, this poem aims to deconstruct the stereotypical expectations of Canadian-Caribbean immigrants. What does an impoverished Canadian-Caribbean immigrant look like once we’ve disregarded our representativeness heuristic? They now may be the straight-A student in your class or that lady that never seems to wear an uncoordinated outfit – or perhaps your lecturer or community organizer who has an undying passion for 19th-century opera. By mobilizing this idea, this poem seeks to encourage the reader to reconsider our pre-conceived notions of an (un)documented, impoverished Canadian-Caribbean individual. Similarly, this poem challenges the notion that to exist, is contingent on external perceptions. A tree in the Northwest Territories may exist unknowingly to us and still be able to blow gracefully in the wind.

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