Art/Research International (Sep 2024)

Creative Review of Amelia Walker's Alogopoiesis

  • Kendrea Rhodes

DOI
https://doi.org/10.18432/ari29799
Journal volume & issue
Vol. 9, no. 1

Abstract

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This review of Amelia Walker’s Alogopoiesis is an interdisciplinary response, reflecting Walker’s own creative approach of employing both form and content. Creative nonfiction, critical thinking, and a mixed media artwork response to Alogopoiesis reflect the effects that reading it has had on me as a creative, as a researcher, and as a living being. It is a happy coincidence that I chose to open the book in a café on Mount Myoko in Japan, and, as I climbed through the pages, I discovered a multitude of connections to my many worlds. I began walking beside each protagonist, nodding, feeling, staying. The word alogopoiesis, made up from alogia and poiesis, is an apt portmanteau for this body of work. Alogopoiesis renders an unsilencing. A slow-rebuild, remaking, and sensing of gaps where the unspoken reside. This book sharpened my outlook. My in-look. Replacing my rose-coloured glasses with recognition as I sank into stories of mental distress, violence, abuse, heartbreak, and prejudice.

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