Lichwa, prawo i emocje w Kupcu weneckim Williama Szekspira i polskiej adaptacji Krystyna Ostrowskiego Lichwiarz (1861)

Abstract

The paper discusses the representation of usury in William Shakespeare’s The Merchant of Venice and the Polish adaptation Lichwiarz by Krystyn Ostrowski. This research aims to show how Shakespeare presented usury in his play and how Ostrowski modified it in 1861. As it is demonstrated, usury is a legal term that has always generated many feelings and provoked debates. This is reflected in the literature, Shakespeare’s play being the most illustrative example. Krystyn Ostrowski developed the theme of usury and emotions in his adaptation, introducing many additions and alterations all to criticise the Jewish community vehemently.

Keywords

• usury
• Shakespeare
• Krystyn Ostrowski
• adaptation
• law and literature