RUDN Journal of Language Studies, Semiotics and Semantics (Mar 2024)

Types of Synesthesia in B. Pasternak’s Story “Childhood Luvers” (“Childhood Eyelets”)

  • Irina V. Trufanova

DOI
https://doi.org/10.22363/2313-2299-2024-15-1-126-137
Journal volume & issue
Vol. 15, no. 1
pp. 126 – 137

Abstract

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The study is devoted to the issue of developing a typology of synesthesia. In our card index there are 40,000 examples from the works of Russian writers, in the story “Childhood Luvers” (“Childhood Eyelets”) there are about 200 of them, there are 32 types of synesthesia in the story, and, if synaesthesia is included in synesthesia, there are about 40. The study is written on the material of the story “Childhood of Eyelets” by B. Pasternak “, since the story reveals rare types of synesthesia, without which the typology of synesthesia would be incomplete. The lack of a consensus on the mechanism of synesthesia, a generally accepted definition of synesthesia, a generally accepted typology, and the discovery of new forms by psychologists determine the relevance of our work. The purpose of the study is to describe synesthesia in the story “Childhood Luvers” (“Childhood Eyelets”). Scientific novelty is determined by the development of a new typology of synesthesia, the introduction of original linguistic material into linguistic use, since previously synesthesia in the prose of B. Pasternak was not the subject of linguistic research, a description of occasional synesthesia (In the works of predecessors, the subject of analysis was mainly usual synesthesia). The peculiarity of the typology of synesthesia proposed in the article is the synthesis of typologies of synesthesia existing in linguistics and psychology. The need for such a synthesis is substantiated; The signs of occasional synesthesia are listed. The set goal determined the choice of integrative analysis of linguistic and psychological data as a research method. This method made it possible to describe occasional synesthesia, which is the cornerstone of B. Pasternak’s poetics; establish that the heroine of the story is a synesthete of visual touch; and also to identify in the story types of synesthesia that were not previously identified in linguistics: the sensation of a person in color, in geometric form, the sensation of a word in color, the sensation of a word by weight, taste, smoothness-roughness, moisture-dryness, as having a temperature, etc. Verbal Synesthesia is highlighted in our article for the first time in linguistics and psychology.

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