Ocnos (Nov 2011)

The creative word and poetic visions of the world. The beginnings of an epic fantasy in C. S. Lewis

  • Gutierrez Bautista, O. D.

Journal volume & issue
Vol. 7
pp. 29 – 42

Abstract

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The enormous popularity of the book series The Chronicles of Narnia by British author C. S. Lewis invites the study of the work´s artistic quality that forms part of the beginning of the epic fantasy; not only because it represents a milestone in literary history, but also because it remains an expression of fundamental human needs that, in the same manner, were found in post-war days ofthe twentieth century, as observed in the great questions of postmodernity. The crisis of the greatstories generally expressed by religions and thecultural dissolution of major literary referencesproduce a fertile ground for the emergence ofliterary works, such as The Chronicles of Narnia,and propose a vision of the world and a projectfor the future. In this paper we will analyze theartistic value of The Magician’s Nephew (1955), abook which opens the collection of children’s books,as a work that offers a poetic vision of the worldwith the Judeo-Christian religious background ofcreation.

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