Journalism and Media (Oct 2021)

Jumping the Shark: White Shark Representations in <i>Great White Serial Killer Lives</i>—The Fear and the (Pseudo-)Science

  • Iri Cermak

DOI
https://doi.org/10.3390/journalmedia2040035
Journal volume & issue
Vol. 2, no. 4
pp. 584 – 604

Abstract

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Sharks are among the most endangered nonhuman animals on the planet because of industrial fishing, the shark meat and fin trade, expanding recreational fishing, and other anthropogenic causes. White sharks (Carcharodon carcharias), the most visible in popular culture, remain vulnerable (VU, IUCN Red List) and understudied, although population recovery is having a measure of success in regions like the Eastern Pacific and the Northern Atlantic of the United States. As numbers rise, Jaws associations also remain in vogue in programming that emphasizes human–wildlife** conflict such as Shark Week’s Great White Serial Killer Lives. Network marketing typically promotes this content by hyping shark science. Textual analysis, however, suggests that exposure to pseudoscientific narratives and unethical fear-inducing images is counterproductive to wider support for conservation programs and public recognition for sharks’ rights to their habitats.

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