The Significance and Musical Features of Modern Korean Buddhist Hymns through Baek Yong-sung’s Buddhist Hymns

Abstract

Chan-bul-ga (찬불가, 讚佛歌), which in English means ‘songs in praise of the Buddha’, refers to a style of Korean Buddhist hymn that emerged during the modernization of Korean Buddhism. Buddhist hymns—which can be considered to be based on Christian hymns—are characterized by the fact that they can be easily learned by the general public so that they can easily participate in Buddhist rituals together, unlike the existing Korean Buddhist musical styles of ‘Beom-pae (범패, 梵唄)’ and ‘Hwa-cheong (화청, 和請)’. The monk Baek Yong-sung (1864–1940), who embraced the function and effectiveness of these new religious music styles as one of his methods of propagation, participated in the independence movement after the 1910 Korea–Japan Annexation Treaty, and he led both the public enlightenment movement and the spread of Buddhism by creating Buddhist hymns. The present study seeks to examine Baek Yong-sung’s social activities and the context in which modern Buddhist hymns emerged. This study also explores the religious, social, and musical meanings of Buddhist hymns while focusing on his works ‘Wang-seng-ga (왕생가)’ and ‘Se-gye-gi-si-ga (세계기시가)’.

Keywords

• Korean Buddhist hymns
• Buddhist hymns
• Christian hymns
• Chan-bul-ga
• Baek Yong-sung
• Baek Yong-sung’s Buddhist hymns