Late Modernist Noirs: Béla Tarr’s Damnation/ Kárhozat and György Fehér’s Passion/ Szenvedély

Abstract

Since the 80s, a large number of films, manifestly indebted to the classic American noir films of the 40s and 50s, have been appropriately labeled neo-noirs. An interesting, but less well documented version of this phenomenon, mostly American in its nature, is the case of some of the films belonging to the so-called Hungarian “Black Series”. Made at the end of the 80s and during the 90s, these films are modernist, stylized versions of the classic noir films. This essay tries to give an outline of this East European reappraisal of the noir film, by insisting on the narrative and aesthetical strategies used by directors such as Béla Tarr or György Fehér in order to deconstruct the classical genre.

Keywords

• “black series”
• modernist noir
• hungarian cinema
• béla tarr
• györgy fehér