Revue Italienne d'Etudes Françaises (Nov 2023)
Passé irrécupérable, présent morne, futur aboli. Paradigmes de la médiocrité dans Le Pion sur l’échiquier d’Irène Némirovsky
Abstract
Although Le Pion sur l’échiquier (1934) was greeted by critics as a generally unsuccessful book, Némirovsky developed a thematic and formal network in this novel that was likely to lead to a generational meditation on the malaise of the post-war period. The story of Christophe Bohun, an anonymous clerk who hates his ordinary life, departs from the Russian-Jewish vein that had dominated Némirovsky’s novels up to that point and focuses instead on a French petty-bourgeoisie plagued by social and existential unhappiness. In this way, the hero's bleak inner landscape blends seamlessly into the picture of an age tormented by the assertion of a civilisation so intrusive that it disrupts the relationship between the subject and the world.
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