Contrafacta in the Archive of the Abbey and Parish Church of St Daniel in Celje

Abstract

The article presents the collection of contrafacta preserved in the archive of the abbey and parish church of St Daniel in Celje. It provides an overview of the models used, the modes and outcomes of the transformations and the possible position of the repertoire in the cultural space of Celje in the first half of the nineteenth century.

Keywords

• contrafacta
• celje
• benedikt schluga
• church music
• nineteenth century