A Imagem do pai em Lavoura Arcaica

Abstract

The intention of this work is to argue some of the constructions of the images of the father and the son, from the romance To the left of the father (1975) of Raduan Nassar, in the homonym film (2001) of Luiz Fernando Carvalho. Some concepts of the psychoanalysis (Freud and Lacan) regarding the idea of “father” war using to stud romance; we try to understand as the desire of the son if of the one through the desire of the father, consisting this desire a important element. In another aspect, we study as that images had been translated the film homonym (2001) of Luiz Fernando Carvalho, in determined plain, by means of the movements of camera for construction and destruction of the personages and also as some Biblical images they can have been enrolled in the film through an approach with a painting of Caravaggio. At some moment, the directions in lathe of the established parental relations so are worked, written, “ located well” with care throughout the two speeches, that pass to be limit and have a return to the “form” that subjaz the sacred one, the essence of the authority idea, the structure of the hierarchy in itself

Keywords

• Pai, Filho, Imagem.