Elements of Historiographic Metadrama in Liz Lochhead’s Plays: Blood and Ice and Mary Queen of Scots got her Head Chopped off

Abstract

The most prominent concerns of contemporary British literature have been reserved for therevision of tradition and history and contestation of metanarratives through historiographicmetafiction and historiographic metadrama. Liz Lochhead’s works are abundant in elements ofhistoriographic metadrama which Lochhead uses to rewrite (hi)stories from a different angle,especially (hi)stories involving famous women and their position in the society, as is the casewith Blood and Ice and Mary Queen of Scots Got Her Head Chopped Off. Blood and Ice focuson Mary Shelley’s process of writing her novel Frankenstein while Mary Queen of Scots GotHer Head Chopped Off presents Mary Queen of Scots and Elizabeth I in the light of their strainedrelations. Pertaining to Blood and Ice, the aim of this paper is to discuss the position of MaryShelley as a woman artist surrounded by Romanticists such as P.B. Shelley and Lord Byron andtheir liberal humanist ideology which shows great indebtedness to the patriarchal metanarrative.With regards to Mary Queen of Scots Got Her Head Chopped Off, the paper examines MaryStuart and Elizabeth I’s roles as women and monarchs, masculinity-femininity dichotomysurrounding the queens, the problematics of their historical representation, as well as the dangerof their mythologization. The analysis of the elements of historiographic metadrama in the twoplays show that they are examples of ‘herstories’ that dismantle male-centered narratives asimposed rather than natural.

Keywords

• historiographic metadrama
• blood and ice
• mary queen of scots got her head chopped off
• metanarratives
• herstory