Genre Originality of Travel Cycle in Modern Russian Poetry (“Indian cycle” by V. Polozkova)

Abstract

The article is devoted to the study of genre features of the lyrical cycle of travel in modern poetry on the example of “Indian Cycle” (2008) by Vera Polozkova. The relevance of the study is due to the need to comprehend the lyrical cycle of travel as a synthetic genre form, in the structure of which various kinds of changes take place, first of all, genre features of the lyric cycle and travelogue are synthesized. The study of this genre form makes it possible not only to determine the originality of the author's creative manner and his place in the modern literary process, but also to trace the main trends in the development of the lyric cycle of travel in modern Russian poetry as a whole. The novelty of the research lies in the identification of genre, problem-thematic, compositional features of the “Indian Cycle”, which makes it possible to draw a conclusion about the expansion of the genre-typological features of the travel cycle due to additional lyrical motives (landscape, philosophical, love). It is established that the lyrical cycle of V. Polozkova’s travel is built along a real geographical route, the image of the country being visited becomes a plot-forming basis. In the course of the study, the peculiarities of the artistic perception of the geographical, cultural and historical space of the eastern country, national spirit and attributes are revealed. The features of the influence of the travel route on the inner world of the lyrical heroine are analyzed. Cultural codes and clichés associated with stereotypical perception of India are being rethought. The work proves that V. Polozkova's "Indian Cycle" clearly demonstrates the trend of genre synthesis emerging in contemporary poetry.

Keywords

• v. polozkova
• india
• contemporary poetry
• lyrical travel cycle
• traveler
• genre synthesis
• the image of the traveler
• lyrical heroine