Stylized Female Images in Stained-Glass Artwork, Panels and Lithography of Art Nouveau

Abstract

The aim of the article is to analyze the use features of the female images in the creative work of stained-glass artwork, panels and lithography in the Modern Age. Research methodology is based on the use of cultural, structural, comparative, and analytical methods in the study of female images. Results. The paper studies the technologies of decorative and applied art, using features of the female images in stained-glass artwork, panels and lithography of Art Nouveau. The author analyzes the concept of “stained-glass artwork”, “panel”, “lithography” in decorative and applied art and considers the history of their introduction in the study. The main tendencies and patterns of representation of female images in these types of art are revealed in the paper. Novelty consists in the implementation of the complex analysis of the features of the female images in decorative and applied art in the Modern Age (in stained-glass artwork, panels and lithography). The practical significance. The material in this article can contribute to the new issues into the history of culture and art. The results of the study can be used in teaching such courses as “History of Modern Culture”, “Decorative and Applied Art”, “Modern Art”, and in the development of training aids on the history and theory of culture, and in training the specialists in history of arts as the practical material.

Keywords

• модерн
• образ
• вітраж
• панно
• літографія
• мистецтво
• жіночий образ