THE MEANING OF THE PIANOPART IN THE CYCLE OF INSTRUMENTAL TRIOS INO BY V. A. ROTARU

Abstract

The article analyzes the chamber instrumental piano trios created by V. Rotaru at the beginning of the century, which make up the cycle under the general name INO. The theoretical and interpretative aspects of the music, the history of the creation are considered in detail, some practical recommendations are given. The study aims to fill in the gaps in the field of research into the composer’s chamber instrumental music and draw attention to the important role of the piano in his work in general and in the presented Cycle in particular.

Keywords

• v. rotaru
• instrumental trio
• chamber instrumental music
• piano
• neo-folklorism