Islamic Geometry Reinterpreted

Abstract

In the second half of the nineteenth century, there was a growing interest in Western countries for Islamic stucco glass windows, which were known from descriptions in books and as imported artifacts. Among the oldest publications is Émile Prisse d’Avennes’ (1807-1879) L’art arabe d’après les monuments du Kaire depuis le VIIe siècle jusqu’à la fin du XVIIIe. One year after its publication in 1877, its illustrations inspired the geometrical patterns of the windows of the Moroccan House, a neo-Moorish pavilion in the park of Linderhof Palace (Ettal, Germany).

Keywords

• stained glass
• World exhibition
• Cairo
• neo-islamic
• Émile Prisse d'Avennes